Fig 1 |
Black swan (2010) is directed by Darren Aronofsky and is a very complex and exciting film which was far from what I had expected. It is extremely psychological and plays with your mind making you wonder what is actually happening. ‘Sure, it's melodramatic and self-important, but Black swan is still a thing of rare terrifying, heartbreaking, surreal, monstrous and downright orgasmic beauty’ (Fennel 2011)
The film provides a wide range of excitement from the wondrously thrilling drama of Nina (Natalie Portman facing her doppelgänger and fighting to keep her sanity, to Nina experimenting her sexuality with her new rival Lilly (Mila Kunis). The film has a very eerie atmosphere with a very bland colour pallet used throughout the film and dark lighting in almost every scene. This is emphasized through the use of mirrors which can be seen often in the back of shots, these mirrors are used because the theme of the film is Nina struggling with her own self conscience and the mirrors allow us to see her facing against herself visually as well.
‘Frequently heard to whimper that she just wants to be “perfect,” Nina is one tense chick. But, really, who could blame her? Projecting her shadow all over the Upper West Side, the tremulous child is stalked and brutalized onstage and off-, as well as in her dreams; she’s taunted by trolls and hobgoblins as she scurries home to the apartment-cum-haunted-house, a veritable nursery for Rosemary’s baby, that she shares, under the name “Sweet Girl,” with her scary, infantilizing mother (Barbara Hershey, hair pulled tight to pop her eyes and so witchy she should be standing in a pool of Morticia Addams goo).’ (
Bibliography
Heldenfels, R. (2010) http://the330.com/on-screen/black-swan-twists-and-turns-before-diving-into-shallow-end/ (accessed 16/10/2011)
Images
Fig 1. Black Swan http://www.smradlavytucnydee.com/2011/01/black-swan-review.html
No comments:
Post a Comment